Showing posts with label Mogwai. Show all posts
Showing posts with label Mogwai. Show all posts

Wednesday, September 12, 2007

Evidently Chickentown


Above all other TV shows, I love The Sopranos.

Sadly I fluffed up the timer on our DVD recorder so we missed the first of the final 9 episodes which was shown last Sunday whilst we were away in Scotland, taping instead the incredibly unfunny Phone Jacker and Big Brother's Big Mouth. As I'm sure you'll agree these are in no way shape or form a suitable replacement for Big Tony and his merry band of Italian American hoods.

Sadly though, whist in New York I did accidentally learn of a major plot development whilst skipping through the plethora of US TV channels. This has haunted me somewhat and has tainted my enjoyment of, what is in my uninformed opinion; the greatest TV program in TV History...or certainly the greatest US TV series.

I've always been a fan of the music they put into the show too, a large portion of which hail from these shores and come from a variety of lesser known artists. I can recall with head swelling pride when Tony had his first breakdown; James Gandolfini is sat in his customary dressing gown and white vest with tears streaming down his fat face, all the while Stuart Staple's bleak and unmistakable (and utter perfect) voice warbles tenderly on Tindersticks' 'Tiny Tears'.
I can also remember Mogwai's ‘Cody’ being played in another similar moment of emotional high drama; though this is possibly my least favorite Mogwai track ever- but you can’t have everything (this was possibly because when the record ‘Come on Die Young’ was released the idea of Stuart Braithwaite attempting to sing was, in my snobbish mind anyway, an act of heresy)

In the last episode, as Tony is reflecting his relationship with Chris in his physiatrist- Dr. Melfi's office, a bizarre voice started to emanated from our TV set as the credits start.

“Wait a minute...surely not?”

I looked to Lisa who was frowning knowing that she recognised the unmistakably broad Mancunian drawl.

Holy shit! It's John Cooper Clarke's 'Evidently Chickentown'.

We both laughed that an artist as obscure as him could make it onto a show of such a high stature.

I felt as if a friend of mine had 'made it' to the big time and we both hoped that he was significantly financial rewarded for his endeavors.

I'm sure that over the past 9 or so seasons of The Sopranos there has been many, many musical highlights, but surely you can't top a bit of ole Johnny Clarke can you?

MP3's


Saturday, February 03, 2007

Clench your fist and say 'fuck you'

Photobucket - Video and Image Hosting


Last night I was in attendance for Clap Your Hands Say Yeah at the Manchester Academy and it t’was a fine night of music, public transport, drunkeness and ‘Clockwise’ style comedy disasters, but at least for the first time in an age both my contact lenses stayed put on my eyeballs.

As Tom astutely observed, it was good to see that the singer from said band, talks like he sings, though his squeaky New Yorker accent did bring to mind Marge Simpson’s ex Boyfriend Artie Ziff. Unusually, we were also witness to two fights, both involving some Mancunian (citation needed) ladies. Certainly an odd sight to behold, especially considering the many gigs I’ve been to I’ve never seen a fight, well one that didn’t involve any members of the band. They were very good though, but not having listened to their new album my mind did wander slightly whilst they performed, this way partly due to the beer that we had been chugging throughout. Their support band, Cold Water Kids too were very good, though I sadly missed most of their set whilst trying to buy some drinks for me and my cohorts.

Whilst waiting at the bar a young scruffy kid whom was stood next to me started a conversation regarding the song the band were currently playing. As I wasn’t in the best frame of mind for conversation at that point due to the calamitous journey to Manchester, which left me feeling so exasperated (perhaps an by-product of my newly found work ethos), I did little to keep the conversation going until he started talking on the subject of getting tickets that day to see …And You’ll Know Us From the Trail of Dead.

As he regaled this fairly boring anecdote about meeting the singer at recent Leeds festival, and all I could think was I could at last crack my ‘Who are Hansel and Grettlel’s favourite band? And You’ll Know Us by the Trial of Bread’ joke, which once he had come up for air I put to him. He laughed and then proceed to tell me how he always cracks bad jokes at funerals—though I suspect, or should I say hope, that he was in fact not being exactly truthful and trying to be funny. He then thought it would be appropriate to crack unfunny and extremely racist joke.

Eeek. I didn’t laugh and said “oh dear- that’s a bit out of order isn’t it Jade?”. He looked awkward and then sneaked in front of me in the queue. With any luck it was he whom we saw get punched in the face by the fiery berry hat clad young lady later on during the show.


After, being away from all that interest me on the internet I've been catching up with the various music blogs I enjoy reading. One such, Aquarium Drunkard (see link to right) has posted news about the now sadly defunct Arab Strap, and it brought to mind just how much I love Arab Strap, and the first time I saw them supporting Mogwai in The Duchess of York in Leeds back in the summer of '97, and the magical moment when Adian Moffat joined Mogwai on stage for 'Now We Are Taken' which he co-wrote and recorded with them on the '4 Satin E.P'. Anyway, I couldn't resist posting it:

MP3
Mogwai- Now You Are Taken